Disrupting Narratives
Unlock the cultural legacy of Corrido songwriting
Historically, the Corrido has been one of the most discriminated musical genres, historically known as as the “poor man’s newspaper.”
More recently, the Corrido has also been co-opted by the drug cartel’s due to its accessibility.
In reality, the Corrido is one of the most significant and longstanding song forms that Mexico and its borderlands have to offer. Corridos were made by ordinary people (El Pueblo) to share and remember their own stories, (since reading and writing were not an option for most.
Through a collaborative Corrido “funshop,” led by Latin Grammy-nominated Amalia Mondragón / Tereso Perfecto Contreras, audiences will learn the art of Corrido writing to amplify underrepresented narratives, commemorate our present and reclaim our past.
About the Corrido Funshop
In this 2-hour interactive class, Amalia Tereso explores the practice of Corrido storytelling. All funshops conclude with a group writing exercise and Corrido performance, preserving the group’s collective experience in a unique, historical song form. Participants will learn:
The historical/social significance of Corridos
The types of stories Corridos tell
The music theory of the Corrido
The Corrido Tumbado phenomenon (Corridos today)
The purpose of this collaborative and creative format is to:
Explore the dimensions of Corrido narratives
Find new ways of expressing and preserving our stories
Practice collective creation as a community
Preserve the group’s collective experience
Who is this funshop for?
Creative writers
Songwriters
Scholars, academics and educators
Anyone looking to reconnect with their Latinidad
Groups seeking team-building experiences
Participants age 7 and older
Amalia Mondragón / Tereso Perfecto Contreras
(She/He/They) is a queer two-spirit, Latin Grammy-nominated, vocalist/songwriter and producer from the Chihuahuan desert borderlands of El Paso, Ciudad Juárez, and La Union. Mondragón Contreras is in the final stages of completing an album funded by NALAC and The FORD FOUNDATION through the Border Narrative Change grant.